sculptures

In a time where the “significant” seems to have lost its battle with the “significance”, in a time where on the canvas as well as in sculpture we are moving from the certainties of a naturalistic representation to the representation of energy, emotions and thought, I have decided to adopt a classical language to express a contemporary angst.

To use classical shapes and forms is a medium that I use to reassert the value of beauty, being convinced that aesthetic appraisal is essential to the soul’s wellbeing (Plotinus himself stated that “the souls is always an Aphrodites”) and should guide our choices. The same beauty which is today’s world is either neglected or relegated to simply being identified with something pretty and pleasant, but devoid of intellectual meaning.